Thursday, October 15, 2009

Beginners by Raymond Carver


“What do any of us really know about love?” Herb said. “I kind of mean what I’m saying, too, if you’ll pardon me for saying it. But it seems to me we’re just rank beginners at love. We say we love each other and we do, I don’t doubt it. We love each other and we love hard, all of us. I love Terri and Terri loves me, and you guys love each other. You know the kind of love I’m talking about now. Sexual love, that attraction to the other person, the partner, as well as just the plain everyday kind of love, love of the other person’s being, the loving to be with the other, the little things that make up everyday love. Carnal love, then and, well, call it sentimental love, the day-to-day caring about the other. But sometimes I have a hard time accounting for the fact that I must have loved my first wife, too. But I did, I know I did. So I guess before you can say anything, I am like Terri in that regard. Terri and Carl.” He thought about it a minute and then went on, “But at one time I thought I loved my first wife more than life itself, and we had the kids together. But now I hate her guts. I do. How do you figure that? What happened to that love? Did that love just get erased from the big board, as if it was never up there, as if it never happened? What happened to it is what I’d like to know. I wish someone could tell me. Then there’s Carl. O.K., we’re back to Carl. He loved Terri so much he tries to kill her and winds up killing himself.” He stopped talking and shook his head. “You guys have been together eighteen months and you love each other, it shows all over you, you simply glow with it, but you’ve loved other people, too, before you met each other. You’ve both been married before, just like us. And you probably loved other people before that. Terri and I have been together five years, been married for four. And the terrible thing, the terrible thing is, but the good thing, too, the saving grace, you might say, is that if something happened to one of us—excuse me for saying this—but if something happened to one of us tomorrow, I think the other one, the other partner, would mourn for a while, you know, but then the surviving party would go out and love again, have someone else soon enough and all this, all of this love—Jesus, how can you figure it?—it would just be memory. Maybe not even memory. Maybe that’s the way it’s supposed to be. But am I wrong? Am I way off base? I know that’s what would happen with us, with Terri and me, as much as we may love each other. With any one of us for that matter. I’ll stick my neck out that much. We’ve all proved it anyhow. I just don’t understand. Set me straight if you think I’m wrong. I want to know. I don’t know anything, and I’m the first to admit it.” -Complete Short Story

On The Vanity Of Existence: A Splintered Mind

"The vanity of existence is revealed in the whole form existence assumes: in the infiniteness of time and space contrasted with the finiteness of the individual in both; in the fleeting present as the sole form in which actuality exists; in the contingency and relativity of all things; in continual becoming without being; in continual desire without satisfaction; in the continual frustration of striving of which life consists."


-- Arthur Schopenhauer

Why is life so complicated?

Where are the answers?

Why doesn't anyone just reach down?

Who's listening anyways?

Is it just my twisted perception?

Where does it come from?

My soul?

Yes.

These questions have a force and a momentum all their own, but they do not anticipate the unlikeliest of reactions: that depression isn't some evil that needs to be extirpated from the mind or some disease that needs to be palliated by drugs; that it might be an embodiment of philosophical pessimism, a natural reaction to one's social surroundings and situation. Imagine if the term were defined non-pejoratively, even positively:

"Depression, in most of its manifestations, is the healthy suspicion that 1) there may not be an aim or point to existence, and/or 2) that the life people have actually created, the 'structure of society,' is not one worth participating in. The objective should not be to kill this suspicion, but to tame it and work with it."

Depression can sometimes occupy the same intersection of the psyche as genius. Philosophers such as John Stuart Mill, William James, and Friedrich Nietzsche suffered the worst throes of depression. A host of other artists and writers suffered the same fate, including Edgar Allen Poe, William Blake, Mark Twain, Wolfgang Mozart, Charles Dickens, Vincent Van Gogh, T.S. Eliot, Ernest Hemingway, and Sylvia Plath.

What is the practical import of this? That the best and truest therapy may consist in examining the condition or state itself, with understanding being the chief goal, not any simple fixes or meliorative expediencies; in locating the etiology somewhere in the ebb and flow of social relationships, realizing that some of the most brilliant people who ever lived were depressed, and that no super drug is effective enough to eradicate the ills of culture and modern society. Philosphy and Depression